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Poem by Chūnagon Yakamochi, No. 6, from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshô)


「百人一首絵抄 六 中納言家特」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Sanoya Kihei (Kikakudō) (Japanese)
Japanese
Edo period
about 1844 (Tenpō 15/Kōka 1)

Medium/Technique Woodblock print (nishiki-e); ink and color on paper
Dimensions Vertical ōban; 38 x 26 cm (14 15/16 x 10 1/4 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.15691
NOT ON VIEW
ClassificationsPrints

Catalogue Raisonné Kubo Tsunehiko and Sons Collection Ukiyo-e Hanga, Part II (2009), Edo #79-06; another print in the series: Hizō Ukiyo-e taikan/Ukiyo-e Masterpieces in European Collections 4, Victoria and Albert Museum I (1989), pl. 196
DescriptionNo. 6 in the series.
Signed Kunisada aratame Nidai Ichiyōsai Toyokuni ga
国貞改二代一陽斎豊国画
Marks Censor's seal: Fu
No blockcutter's mark
Artist's seal: toshidama
改印:普
彫師:なし
InscriptionsPoem: Kasasagi no/ wataseru hashi ni/ oku shimo no/ shiroki o mireba/ yo zo fukenikeru
鵲の わたせるはしに おく霜の しろきをみれば 夜ぞ更にける
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.