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「当世三十弐相 りこう相」
The Clever Type (Rikô sô), from the series Thirty-two Physiognomic Types in the Modern World (Tôsei sanjûni sô)
「当世三十弐相 りこう相」
Japanese
Edo period
1820s
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 38.8 x 26.5 cm (15 1/4 x 10 7/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.15633
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Seikado, Kunisada (exh. cat., 1996), #59; Izzard, Kunisada's World (1993), #27/1; Hizô Ukiyo-e taikan/Ukiyo-e Masterpieces in European Collections 3, British Museum III (1987), fig. 11; Ukiyo-e taikei 10 (1976), #86
DescriptionMFA impressions: 11.15633, 34.488
Signed
Gototei Kunisada ga
五渡亭国貞画
五渡亭国貞画
Marks
Censor's seal: kiwame
改印：極
改印：極
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.