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百人一首絵抄 「権中納言定家 九十七番」
Poem by Gonchûnagon Sadaie (Teika), No. 97, from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshô; no series title on this design)
百人一首絵抄 「権中納言定家 九十七番」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Sanoya Kihei (Kikakudô) (Japanese)
Publisher: Sanoya Kihei (Kikakudô) (Japanese)
Japanese
Edo period
1847–52 (Kôka 4–Kaei 5)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.2 x 24.5 cm (14 1/4 x 9 5/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.15461
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Kubo Tsunehiko and Sons Collection Ukiyo-e Hanga, Part II (2009), Edo #79-97; another print in the series: Hizô Ukiyo-e taikan/Ukiyo-e Masterpieces in European Collections 4, Victoria and Albert Museum I (1989), pl. 196
DescriptionNo. 97 in the series.
Signed
Kunisada aratame Toyokuni ga
国貞舎豊国画
国貞舎豊国画
Marks
Censors' seals: Hama, Kinugasa
No blockcutter's mark
改印：浜、衣笠
彫師：なし
No blockcutter's mark
改印：浜、衣笠
彫師：なし
InscriptionsPoem: Konu hito no/ Matsuo no ura ni/ yûnagi ni/ yaku ya moshio no/ mi mo kogaretsutsu
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.