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Poem by Fujiwara no Yoshitaka, No. 50, from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshô; no series title on this design)


百人一首絵抄 「藤原義孝(ふじわらのよしたか) 五十番」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Sanoya Kihei (Kikakudô) (Japanese)
Japanese
Edo period
1843–47 (Tenpô 14–Kôka 4)

Medium/Technique Woodblock print (nishiki-e); ink and color on paper
Dimensions Vertical ôban; 37.6 x 25.4 cm (14 13/16 x 10 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.15456
NOT ON VIEW
ClassificationsPrints

Catalogue Raisonné Kubo Tsunehiko and Sons Collection Ukiyo-e Hanga, Part II (2009), Edo #79-50; another print in the series: Hizô Ukiyo-e taikan/Ukiyo-e Masterpieces in European Collections 4, Victoria and Albert Museum I (1989), pl. 196
DescriptionNo. 50 in the series.

MFA impressions: 06.2547, 11.15456
Signed Ichiyôsai Toyokuni ga
一陽斎豊国画
Marks Censor's seal: Watari
No blockcutter's mark
改印:渡
彫師:なし
InscriptionsPoem: Kimi ga tame/ oshikarazarishi/ inochi sae/ nagaku mo gana to/ omoikeru ka na
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.