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「江戸名所百人美女 かやば町」
Kayaba-chô, from the series One Hundred Beautiful Women at Famous Places in Edo (Edo meisho hyakunin bijo)
「江戸名所百人美女 かやば町」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Other artist: Utagawa Kunihisa II (Japanese, 1832–1891)
Publisher: Fujiokaya Keijirô (Shôrindô) (Japanese)
Other artist: Utagawa Kunihisa II (Japanese, 1832–1891)
Publisher: Fujiokaya Keijirô (Shôrindô) (Japanese)
Japanese
Edo period
1857 (Ansei 4), 11th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 37.6 x 25.8 cm (14 13/16 x 10 3/16 in.)
Credit Line
Bequest of William Perkins Babcock
Accession Number00.784
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Plants for the home could be purchased from the full-time commercial nurseries such as those in the Somei district of Edo; at temporary, seasonal fairs held at Buddhist temples or Shinto shrines; or from street vendors who carried portable shelves of small potted plants hanging in pairs from poles across their shoulders. Kunisada, the top artist of beautiful women in the nineteenth century, drew the main figures for this series, with landscape insets by his pupils. This casually dressed woman has selected a combination of Adonis plant and red plum as a suitable New Year decoration, but she is still tempted by a lovely bonsai pine tree, also appropriate to the season.
Catalogue Raisonné
Ôta Memorial Museum of Art, Edo engei hana zukushi (2009), #11
DescriptionMFA impressions: 00.784, 00.830, 11.15037
Signed
Toyokuni ga, in toshidama cartouche (main image); Kunihisa ga (inset)
豊国画(年玉枠)、国久画
豊国画(年玉枠)、国久画
Marks
Censor's seals: aratame, Snake 11
No blockcutter's mark
改印:改、巳十一
彫師:なし
No blockcutter's mark
改印:改、巳十一
彫師:なし
ProvenanceBy 1900, William Perkins Babcock; 1900, bequest of William Perkins Babcock to the MFA. (Accession Date: June 12, 1900)