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Morceaux de caprice à divers usages
Ecole de l'architecture bavaroise
François de Cuvilliés I (German, 1695–1768)
François de Cuvilliés II (German, 1731–1777)
Engraver: Georg Sigmund Roesch (German, died in 1766)
Engraver: Johann Gottfried Haid (German, 1730–1776)
Engraver: Carl Albert von Lespilliez (German, 1723–1796)
Engraver: Johann Nepomuk Maag (German, about 1724–1800)
Engraver: Valerian Funck (German, 18th century)
Engraver: Pierre Patte (French, 1723–1814)
Engraver: Georges François Blondel (French, 1730–after 1799)
Engraver: Pierre-Philippe Choffard (French, 1730–1809)
Engraver: Claude René Gabriel Poulleau (French, born in 1749)
Engraver: Franz Xavier Jungwierth (German, 1720–1790)
Engraver: Christian Winck (German, 1738–1797)
Engraver: Bartholomäus Ignaz Weiss (German, about 1740–1814)
Etched by: Ignaz Günther (German, 1725–1775)
Engraver: Michael Hartwagner (German, died in 1775)
After: François Lemoine (French, 1688–1737)
After: Giovanni Paolo Gaspari (Italian, worked in Germany, 1714–1775)
1745–71
Place of Publication: Munich, Germany

Medium/Technique Bound set of 265 etchings and engravings
Dimensions Overall: 45.8 x 32.5 x 7.5 cm (18 1/16 x 12 13/16 x 2 15/16 in.)
Credit Line William A. Sargent Fund
Accession Number48.272
NOT ON VIEW
ClassificationsPrintsBound sets
Munich: by the author; Paris: Poilly; and Paris: Huquier [1745-1771]

Catalogue Raisonné Berlin 146, 182
Description(Munich: by the author; Paris: Poilly; and Paris: Huquier [1745-1771]) Folio; 265 leaves; contemporary gilt-stamped marbled calf; gilt, marbled, and gauffered edges

Ornamental designs for cartouches, doorways, chimneys, tables, ironwork, fountains, ceilings, frames, etc.; architectural plans for country homes, gardens, altars, etc.; miscellaneous compositions relating to arts of painting and drawing, mythology, etc.


The order and short list of contents of the MFA copy is as follows: [First section, primarily ornament designs] A--Morceaux de caprice à divers usages (6 pls.); B--Morceaux (6 pls.); C--Livre de paneaux (7 pls.); D--Morceaux...pour des dessus de portes (6 pls.); E--Livre de pieds de table (6 pls.); F--Livres de differens desseins de comodes (6 pls.); G--Livre de serrurerie (6 pls.); H--Livre de serrurerie (6 pls.); I--Morceaux de caprice (4 pls.); K--Morceaux de caprice (4 pls.); L--Livre dornements (4 pls.); M--Suite de fontaines publiques (10 pls.); N--Maison de campagne (5 pls.); O--Morceaux de caprice (4 pls.); P--Livre de portes cochères (6 pls.); Q--Desseins de lambris (6 pls.); R--Livre de portion de plafonds (6 pls.); S--Livre d'ornemens (6 pls.); T--Livre de decorations de lambris (6 pls.); V--Livre...de bordures de tableaux (6 pls.); W--Livre de portion de plafonds et d'un poële (7 pls.); X--Essaies de differends [sic] monuments (26 pls.). [Second section, primarily architectural plans] A--Plan général d'un projet de batiment (4 pls.); B--Plan d'un belvedere (3 pls.); C--Projet d'un batiment élevé (5 pls.); D--Plan d'une maison de plaisance (4 pls.); E--Desseins d'autels (4 pls.); F--Livre d'études dessiné (6 pls.); G--Projet d'une voliere (6 pls.); H--Plan général (6 pls.); I--Projet d'une maison de campagne (4 pls.); K--Plan du rez-de-chaussée (4 pls.); L--Plan général d'un batiment (4 pls.); M--Projet d'un petit pavillon (4 pls.); N--Plan d'un rez-de-chaussée (5 pls.); O--Plan général d'une maison de campagne (5 pls.); P--Plan général d'une maison de campagne (5 pls.); Q--Plan général d'une maison de campagne (6 pls.); R--Plan général d'une maison de campagne (6 pls.); S--Plan général d'un projet de bâtiment (7 pls.). [Third section of miscellaneous compositions, perhaps related to "Livre d'études dessiné--see F in second section] 28 pls.

Dating the contents of this copy is difficult, but it is assumed to include an early issue of the ornamental designs; they carry the imprints of both the "author" (the elder Cuvilliés) and Poilly, in Paris at the "image St. Benoit," probably Antoine de Poilly (after 1691-after 1753). The architectural plans and other plates published by the younger Cuvilliés carry the joint imprint of the "author" and Huquier in Paris, on the rue des Mathurins, perhaps Gabriel (1695-1772) or more probably his son Jacques-Gabriel (1730-1804). Therefore the broad range of 1745 to 1771 is adopted.
ProvenanceRoyal Bavarian collection (stamp on title); William H. Schab, New York, from whom purchased by MFA, March 11, 1948.