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Plate with a tigress attacking an ibex

Byzantine
Early Byzantine Period
early 5th century A.D.
Place of Manufacture: Eastern Mediterranean

Medium/Technique Silver
Dimensions Diameter: 20.5 cm (8 1/16 in.)
Credit Line Theodora Wilbour Fund in memory of Zoë Wilbour
Accession Number69.1146
ClassificationsVessels
Large wild cats, the dominant beasts of the animal kingdom, have long been associated with royalty, the pinnacle of the human social hierarchy. The sovereigns of the ancient Near Eastern civilizations, such as the Assyrian kings, made lions a decorative focus of their palaces and tombs and possessed personal objects embellished with images of these ferocious creatures. Steady contact with the Near East from the Bronze Age onward infused the cultures of the Medi-terranean with this notional connection between the masters of the animal and human realms.

The Helladic civilization borrowed heavily from the preceding Minoan civilization of Crete, serving as a conduit for the introduction of Near Eastern artistic themes to the Greek mainland in the late Bronze Age. The fascination with large cats continued for millennia. While images of men hunting lions regularly appear on luxury items-especially silver vessels-made by Byzantine and Sassanian (Persian) artisans, this Early Byzantine plate, decorated in raised relief with finely incised details, is a unique presentation of a tigress overwhelming an ibex. The centripetal composition of the tigress hurtling onto its prey from a raised position into the center of the plate, with a tree arcing over the assault, responds ingeniously to the circular format of the plate.

Catalogue Raisonné Highlights: Classical Art (MFA), p. 154.
DescriptionSilver plate with tigress leaping on an ibex who sinks her teeth into the victim's back. The ibex sinks to the ground, his legs collapsing. A leafy tree provides the background; in the lower right, a small lizard like animal.

The flat back of the plate has a 5th century 3-line rectangular control
stamp inscribed ‘BASILIOU’ in addition to 3 crosses, 2 eight-point stars and 2
palm fronds imperial) and the foot ring is inscribed with the names of (possibly)
the silversmith, patron and weight [“+Stephanos made/weighed the two plates 4
lbs., 10 1/2 oz of Theodotos”].
ProvenanceBy date unknown: with Robert E. Hecht; by 1969: with George Zacos, Engelgasse 65, Basel, Switzerland; purchased by MFA from George Zacos, October 15, 1969