This ceramic female figure, related to a group of small-scale sculptures of similar form made by artists working in the region of Boiotia in mainland Greece, combines a burgeoning inclination toward naturalistic representation of the human body with a lingering Geometric sense of proportion and decoration. The head and facial features are forcefully modeled, the eyes and arched brows emphasized with added color; paint was also used to indicate the dark hair falling in wavy locks. The body, however, was conceived as an assemblage of geometric forms. Below the thick, unnaturally elongated neck, the only anatomical features on the bell-shaped torso, which was fashioned on a potter's wheel, are a pair of sculptural breastlike protrusions outlined in paint and two short, thin arms. The attached movable legs would have "danced" independently of the body when, as is likely, the figure was hung as an offering in an outdoor sanctuary.

The figure's body serves as a canvas for painted decoration. An elaborate garment is suggested by circles around the neckline and hem, a bordered placket on the chest, and arm openings with strokes below evoking folds. The birds and geometric motifs-including a pinwheel design, a double ax, and two small swastikas-featured on the midsection are found on painted pottery of the same date. Additional swastikas adorn the arms and may stand for tattooing, while lines running around the calves and criss-crossing the feet indicate that the figure wears sandals.

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