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Funerary monument for an athlete

Greek
Archaic Period
about 550 B.C.
Place of Manufacture: Greece, Boiotia

Medium/Technique Marble from Mt. Pentelikon, Greece, and modern plaster restoration
Dimensions Overall (Thighs): 58.5 x 38.5 cm (23 1/16 x 15 3/16 in.)
Overall (Right hand): 20 x 12 cm (7 7/8 x 4 3/4 in.)
Overall: 349.3 kg (770 lb.)
Overall (Head): 50 x 35 cm (19 11/16 x 13 3/4 in.)
Framed (Steel channel H-frame with steel plate attached at the bottom): 248.9 x 28.3 x 24.1 cm (98 x 11 1/8 x 9 1/2 in.)
Block (Object and frame dimensions): 248.9 x 62.9 x 24.8 cm (98 x 24 3/4 x 9 3/4 in.)
Credit Line Gift of Fiske Warren
Accession Number08.288
ClassificationsSculpture
Carved in profile on a tall, rectangular stone shaft, or stele, this standing young man is represented as a gifted athlete. He is nude, as was the Greek custom during training and competition. The youth's pronounced musculature, especially evident in his arms and legs, attests to his high level of fitness. His head is crowned with an olive wreath, an honor bestowed upon victors at games such as those at Olympia and Athens. A small oil flask (aryballos), decorated with floral and geometric designs in low relief, dangles from a strap clenched in his right hand, alluding to the practice among Greek athletes of applying oil to clean and moisten the body before exercising. Two pomegranates held overhead in his left hand might be gifts from an admirer (athletes were widely adored for their beauty) but also carry Underworld connotations befitting the funerary function of the stele; this fruit, filled with seeds, commonly symbolized fertility as well, and its appearance here could imply that the youth's life ended before he reached manhood.

Although said to come from Thebes in Boiotia, this representation of a youthful athlete once belonged to an imposing grave monument of a type popular among elite Athenian families. The shaft, reconstructed from five original marble fragments to a height of about 2.1 meters (7 feet), would have been capped by a decorative element, possibly a sphinx. Two letters of an inscription are preserved on the shaft above the head, probably indicating that the name of the deceased began with the letters theta omicron ("Tho . . . "). Stelai carved with nude youths are the counterpart of freestanding statues, known as kouroi, which were commonly erected as funerary monuments by Greeks during the Archaic period. Rather than individualized likenesses, both forms of sculpted representations present generic, highly idealized images of men in their physical prime. Embodying the ancient Greek ideal of arete (excellence), these images, which commemorated the dead, were intended to inspire the living.

Catalogue Raisonné Sculpture in Stone (MFA), no. 016; Sculpture in Stone and Bronze (MFA), p. 106 (additional published references); Highlights: Classical Art (MFA), p. 120.
DescriptionA youth in profile to the right has his left foot advanced. He wears an olive wreath with fruit and leaves, and he holds up two pomegranates on a stem in his raised left hand. The flexed right arm and hand (with wrist muscles preserved) held an aryballos suspended from a leather strap. Hair is rendered as a smooth mass, except for the row of spiral curls over forehead and temples. Tongues on the shoulder, lotus flowers and buds around the body, and crescents radiating from the bottom are carved in low relief on the aryballos.

Above the youth's head are the remains of an inscription that runs vertically upward. It gives the first two letters of his name, ("Tho").

Five fragments, three large and two small, are preserved, but a considerable portion of this stele of a young athlete is missing. Fragment A comprises the head and left forearm of the youth, with the lower part of the panel above. B is the right hand with the strap of the aryballos. C includes the body from the waist to the right knee, with the remains of the aryballos. D is the right ankle, and E is a bit of spiral molding and fillets from the top of the shaft. Sides and back of the stele are smoothed, while the background of the relief is hollowed out into a curving surface above and at the sides. Save where there are damages (notably to the aryballos), the surfaces are in excellent condition. They have an even yellow patina.

Scientific Analysis:
Harvard Lab No. HI264: Isotope ratios - delta13C +1.67 / delta18O -3.19, Attribution - Probably Pentelikon, Justification - Fine grained marble.
InscriptionsAbove the youth's head are the remains of an inscription that runs vertically upward. It gives the first two letters of his name, ("Tho").
ΘΟ
Provenance1900, acquired in Thebes by Edward Perry Warren (b. 1860 - d. 1928), London [see note]; to his brother, Fiske Warren (b. 1862 - d. 1938), Boston; 1908, gift of Fiske Warren to the MFA. (Accession Date: May 28, 1908)

NOTE: According to Warren's records.