<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="primaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/1039491/resize%25253Aformat%25253Dthumbnail</value></field><field label="Title" name="title"><value>Drinking cup (skyphos) with the departure and recovery of Helen</value></field><field label="Date" name="displayDate"><value>about 490 B.C.</value></field><field label="Artist / Maker / Culture" name="peopleSearch"><value>Makron</value><value>Hieron</value></field><field label="Dimensions" name="dimensions"><value>Height: 21.5 cm (8 7/16 in.); diameter: 39 cm (15 3/8 in.); diameter of mouth: 27.8 cm (10 15/16 in.)</value></field><field label="Medium" name="medium"><value>Ceramic, Red Figure</value></field><field label="Credit Line" name="creditline"><value>Bartlett Collection—Museum purchase with funds from the Francis Bartlett Donation of 1912</value></field><field label="Object number" name="invno"><value>13.186</value></field><field label="On View" name="onview"><value>1</value></field><field label="Description" name="description"><value>Side A: Paris (named  Alexandros here) is leading Helen away from Sparta and the Palace of Menelaos.  Aeneas, with a lion shield, accompanies Paris.  Aphrodite and Eros flank Helen.  Peitho, the personification of persuasion, follows behind Aphrodite.  The boy under the handle is thought to be Helen's son by Menelaos. 

Side B: During the sack of Troy. Helen fleeing to the Sanctuary of Apollo. Menelaos, at the right, sees Helen and draws his sword to kill her.  Aphrodite is behind Helen, present as an intervening force.  Menelaos is in the act of dropping his sword, overcome by Helen's beauty.  The priest of the sanctuary, Chryses, and his daughter, Chryseis are also present (at far left).  Priam is seated under handle at the right, watching the story unfold. 

Painted inscriptions:  "Aineas"; "Alexandros"; "Aphrodite" (twice); "Priam"; "Helen" (twice); "Kriseis"; "Kriseus"; "Menelaos"

Scratched on handle:  "Hieron made (it)" (HIERON EPOIESEN) 
Painted under the opposite handle: "Makron drew (it)"  (MAKRON EGRAPHSEN)

The size of this vessel suggests it was made for display, rather than use, and like huge kylikes (parade cups) of the same period which could not have been used for drinking.</value></field><field label="Classification" name="classification"><value>Vessels</value></field><field label="Width" name="width"><value>21.5000000000</value></field><field label="Height" name="height"/><field label="Depth" name="depth"/><field label="Id" name="id"><value>153876</value></field><field label="Deaccessioned Objects Only" name="deaccessioned"><value>0</value></field><field label="Collection Objects Only" name="accessioned"><value>1</value></field></object>