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<rdf:RDF xmlns:schema="//schema.org/" xmlns:rdf="//www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:VisualArtwork><schema:image>http://collections.mfa.org/internal/media/dispatcher/753485/resize%3Aformat%3Dfull</schema:image><schema:name>Polonaise carpet</schema:name><schema:dateCreated>probably early 17th century</schema:dateCreated><schema:artMedium>Cotton warp, cotton weft, silk pile, silver- and gilt-silver-wrapped silk brocading</schema:artMedium><schema:description>Made in the carpet workshops of Shah Abbas I (ruled 1588 - 1629) and his successors, sumptuous silk -and-metal rugs like this one were used at court, donated to religious buildings, or sent off to European royalty. Nineteenth -century writers, confused by the heraldic designs woven into some of these carpets, misattributed the group to Poland, and the name Polonaise has persisted.

Of the eighty-two carpets or carpet fragments that Denman Waldo Ross gave the MFA, this Polonaise was the most expensive; Ross paid Paris and New York-based antiquarian dealer Dikran Kelekian $7,500 for it about 1907.

Thirty-six Persian (Sehna) knots to a square centimeter. The ground is of salmon pink; on this is a design of conventional flowers in bright green, bright yellows, blues, reds, white,  gold,  and silver.  The ground of the main border is bright green.</schema:description><schema:artForm>Textiles</schema:artForm><schema:width>204.0000000000 Centimeter</schema:width><schema:url>http://collections.mfa.org/objects/68293/rdf</schema:url></schema:VisualArtwork></rdf:RDF>