<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="primaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/1036501/resize%25253Aformat%25253Dthumbnail;jsessionid=62C80B95F8F6D67A9A02C0FBA4708D8D</value></field><field label="Title" name="title"><value>Tapestry: The Assumption of the Virgin (from the series, The Life of the Virgin)</value></field><field label="Date" name="displayDate"><value>about 1535</value></field><field label="Artist / Maker / Culture" name="peopleSearch"/><field label="Dimensions" name="dimensions"><value>314.96 x 209.55 cm (124 x 82 1/2 in.)</value></field><field label="Medium" name="medium"><value>Tapestry weave (wool warp; wool, silk, silver, and gilt-silver wefts)</value></field><field label="Credit Line" name="creditline"><value>Charles Potter Kling Fund</value></field><field label="Object number" name="invno"><value>1975.810</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>The Apostles who were present at the death of the Virgin Mary are gathered around her empty tomb to witness the ascent of her body to be reunited with her soul in Heaven.   Garlands of fruits and flowers, with birds, frame the picture. The colors are cream, blue, red, green, brown and yellow.   The composition is thought to be copied from an engraving by the "Master of the Die" after Raphael's lost plan for the altarpiece of the Chigi Chapel in Santa Maria del Popolo in Rome.</value></field><field label="Classification" name="classification"><value>Textiles</value></field><field label="Width" name="width"><value>314.9600000000</value></field><field label="Height" name="height"/><field label="Depth" name="depth"/><field label="Id" name="id"><value>37392</value></field><field label="Deaccessioned Objects Only" name="deaccessioned"><value>0</value></field><field label="Collection Objects Only" name="accessioned"><value>1</value></field></object>