<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="primaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/1084208/resize%25253Aformat%25253Dthumbnail</value></field><field label="Title" name="title"><value>Ladies Watching a Manzai Performance at a Mansion</value></field><field label="Date" name="displayDate"><value>about 1791–95 (Kansei 3–7)</value></field><field label="Artist / Maker / Culture" name="peopleSearch"><value>Eishōsai Chōki</value><value>Tsutaya Jūzaburō (Kōshodō)</value></field><field label="Dimensions" name="dimensions"><value>Vertical ōban; 38.9 x 25.8 cm (15 5/16 x 10 3/16 in.)</value></field><field label="Medium" name="medium"><value>Woodblock print (nishiki-e); ink and color on paper</value></field><field label="Credit Line" name="creditline"><value>William Sturgis Bigelow Collection</value></field><field label="Object number" name="invno"><value>11.14829</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Left sheet of incomplete triptych. The right sheet: 11.14828.

The center sheet of the complete triptych in Brussels and Berlin shows manzai dancers; however, Ukiyo-e taisei 7 (1931), #475, appears to be an alternate center sheet for the triptych, showing the child sumō wrestler Daidōzan Bungorō.</value></field><field label="Classification" name="classification"><value>Prints</value></field><field label="Width" name="width"><value>38.9000000000</value></field><field label="Height" name="height"/><field label="Depth" name="depth"/><field label="Id" name="id"><value>207107</value></field><field label="Deaccessioned Objects Only" name="deaccessioned"><value>0</value></field><field label="Collection Objects Only" name="accessioned"><value>1</value></field></object>