http://collections.mfa.org/collections/449579/objects/rdfASI.Japanese Printshttp://collections.mfa.org/internal/media/dispatcher/970871/resize%3Aformat%3Dfullhttp://collections.mfa.org/internal/media/dispatcher/797851/resize%3Aformat%3DfullActor Fujimura Handayū II as Ōiso no Toraabout 1715 (Shōtoku 5)Torii Kiyomasu IWoodblock print (tan-e); ink on paper, with hand-applied colorPlay: Bandō Ichi Kotobuki SogaTheater: Nakamura坂東一寿曽我（ばんどういちことぶきそが）中村http://collections.mfa.org/objects/256366/rdfhttp://collections.mfa.org/internal/media/dispatcher/922385/resize%3Aformat%3DfullActors Onoe Kikugorō III as Shizuka Gozen (R) and Nakamura Utaemon III as the Fox Tadanobu (L)1830 (Bunsei 13/Tenpō 1), 10th monthRyūsai ShigeharuWoodblock print (nishiki-e); ink and color on paperPlay: Yoshitsune Senbon-zakura (The Thousand Cherry Trees of Yoshitsune)Theater: Kado義経千本桜（よしつねせんぼんざくら）角http://collections.mfa.org/objects/460894/rdfhttp://collections.mfa.org/internal/media/dispatcher/970871/resize%3Aformat%3DfullActors Sawamura Yodogorō II as Kawatsura Hōgen and Bandō Zenji as Oninosadobō1794 (Kansei 6), 5th monthTōshūsai SharakuWoodblock print (nishiki-e); ink, color, and mica on paperPlay: Yoshitsune Senbon-zakura (The Thousand Cherry Trees of Yoshitsune)Theater: Kawarazaki義経千本桜（よしつねせんぼんざくら）河原崎http://collections.mfa.org/objects/206748/rdfhttp://collections.mfa.org/internal/media/dispatcher/961083/resize%3Aformat%3DfullActor Tsutsui Kichijūrō in the Spear Dance1704 (Genroku 17/Hōei 1), 11th monthArtist unknown, JapaneseWoodblock print (tan-e); ink on paper, with hand-applied colorhttp://collections.mfa.org/objects/233323/rdfhttp://collections.mfa.org/internal/media/dispatcher/916885/resize%3Aformat%3DfullAsakusa Ricefields and Torinomachi Festival (Asakusa tanbo Torinomachi môde), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)1857 (Ansei 4), 11th monthUtagawa Hiroshige IWoodblock print (nishiki-e); ink and color on paperNo. 101 (winter section) on the title page for the series.MFA impressions: 11.36876.65, 11.45668, 18.26, 21.9503冬の部。遊女屋の一室。猫の座る格子窓より浅草裏田圃（うらたんぼ）の鷲（おおとり）神社の酉の町（市）へ詣でる人々の列を描く。市は11月の酉の日に行われ、縁起物の熊手や八つ頭芋を求める人で賑わった。図の左下には土産らしい熊手の形の簪が置かれている。 -- 藤澤紫Ｋhttp://collections.mfa.org/objects/237122/rdfhttp://collections.mfa.org/internal/media/dispatcher/954596/resize%3Aformat%3DfullCouple with a Standing Screenabout 1797 (Kansei 9)Kitagawa Utamaro IWoodblock print (nishiki-e); ink and color on paperMFA impressions: 18.308, 21.6610http://collections.mfa.org/objects/234274/rdfhttp://collections.mfa.org/internal/media/dispatcher/743649/resize%3Aformat%3DfullExcursion to View Cherry Blossoms by the Sumida River (Sumidagawa hana no yūran)1887 (Meiji 20), registered December 27Yōshū Chikanobu (Hashimoto Chikanobu)Woodblock print (nishiki-e); ink and color on paperhttp://collections.mfa.org/objects/161324/rdfhttp://collections.mfa.org/internal/media/dispatcher/938734/resize%3Aformat%3DfullThe Falling Mist Waterfall at Mount Kurokami in Shimotsuke Province (Shimotsuke Kurokamiyama Kirifuri no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)about 1832 (Tenpō 3)Katsushika HokusaiWoodblock print (nishiki-e); ink and color on paperMFA impressions: 11.19718, 21.6685http://collections.mfa.org/objects/234348/rdfhttp://collections.mfa.org/internal/media/dispatcher/922227/resize%3Aformat%3DfullFine Wind, Clear Weather (Gaifū kaisei), also known as Red Fuji, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)about 1830–31 (Tenpō 1–2)Katsushika HokusaiWoodblock print (nishiki-e); ink and color on paperMFA Impressions: 11.17504, 21.6754, 21.6755 (blue variant), 21.6756, 34.314, 53.495http://collections.mfa.org/objects/234419/rdfhttp://collections.mfa.org/internal/media/dispatcher/1593536/resize%3Aformat%3DfullIn the Ruined Palace at Sōma, Masakado's Daughter Takiyasha Uses Sorcery to Gather Allies; Ōya no Tarō Mitsukuni Comes Here to Investigate the Monsters and Finally Destroys Them (Sōma no furudairi ni Masakado himegimi Takiyasha yōjutsu o motte mikata o atsumuru, Ōya no Tarō Mitsukuni yōkai o tamesan to koko ni kitari tsui ni kore o horobosu)about 1844 (Tenpō 15/Kōka 1)Utagawa KuniyoshiWoodblock print (nishiki-e); ink and color on paperTriptych: 11.30468 (left), 11.30469 (center), 11.30470 (right)http://collections.mfa.org/objects/478641/rdfhttp://collections.mfa.org/internal/media/dispatcher/916879/resize%3Aformat%3DfullKanbara: Night Snow (Kanbara, yoru no yuki), second state, from the series Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the First Tôkaidô or Great Tôkaidôabout 1833–34 (Tenpō 4–5)Utagawa Hiroshige IWoodblock print (nishiki-e); ink and color on paperNo. 16 in the series, second state (sky dark at horizon, no lines in knees of figure at right).MFA impressions:First state: 11.26110, *11.38911 (deaccessioned in 2012), 21.5031Second state: *06.1183 (deaccessioned in 2019), 11.17295, 11.25156, 11.30429, 21.5032, 42.566, 2009.2411.16http://collections.mfa.org/objects/232710/rdfhttp://collections.mfa.org/internal/media/dispatcher/1015619/resize%3Aformat%3DfullKojima Bingo no Saburō Takanoriabout 1762–64 (Hōreki 12–Meiwa 1)Suzuki HarunobuWoodblock print (benizuri-e); ink and limited color on paperhttp://collections.mfa.org/objects/212313/rdfhttp://collections.mfa.org/internal/media/dispatcher/945037/resize%3Aformat%3DfullThe Koto Playerabout 1767–68 (Meiwa 4–5)Suzuki HarunobuWoodblock print (nishiki-e); ink and color on paperhttp://collections.mfa.org/objects/232116/rdfhttp://collections.mfa.org/internal/media/dispatcher/1015618/resize%3Aformat%3DfullLarge Perspective View of the Interior of Echigo-ya in Suruga-chō (Suruga-chō Echigoya gofukuten ō-ukie)about 1745 (Enkyō 2)Okumura MasanobuWoodblock print (urushi-e); ink on paper, with hand-applied color and nikawaMFA impressions: 11.13343, 21.5775http://collections.mfa.org/objects/206070/rdfhttp://collections.mfa.org/internal/media/dispatcher/938728/resize%3Aformat%3DfullThe Mansion of the Plates (Sara yashiki), from the series One Hundred Ghost Stories (Hyaku monogatari)about 1831–32 (Tenpō 2–3)Katsushika HokusaiWoodblock print (nishiki-e); ink and color on paperMFA impressions: 11.20441, 21.10236http://collections.mfa.org/objects/237855/rdfhttp://collections.mfa.org/internal/media/dispatcher/964124/resize%3Aformat%3DfullOn Top of and beneath Ryôgoku Bridgeabout 1795–96 (Kansei 7–8)Kitagawa Utamaro IWoodblock print (nishiki-e); ink and color on paperTriptych (lower half of two-tier hexaptych): 21.7404 (left), 21.7405 (center), 21.7406 (right)MFA impressions: 11.14484-6, 21.7404-6Two sheets of the upper half: 21.7437-8http://collections.mfa.org/objects/490828/rdfhttp://collections.mfa.org/internal/media/dispatcher/947317/resize%3Aformat%3DfullOsen of the Kagiya and a Young Samurai in a Black Hoodabout 1768–69 (Meiwa 5–6)Suzuki HarunobuWoodblock print (nishiki-e); ink and color on paperhttp://collections.mfa.org/objects/232655/rdfhttp://collections.mfa.org/internal/media/dispatcher/962102/resize%3Aformat%3DfullA Pilgrimage to Enoshimaabout 1789 (Tenmei 9/Kansei 1)Torii KiyonagaWoodblock print (nishiki-e); ink and color on paperTriptych: 21.7344 (left), 21.7345 (center), 21.7346 (right)MFA impressions: 06.2532 (center sheet only), 11.13987-9, 21.7344-6, 34.391a-chttp://collections.mfa.org/objects/467788/rdfhttp://collections.mfa.org/internal/media/dispatcher/970900/resize%3Aformat%3DfullPoem No. 6: Image de la Mer [Fantasy of the Sea]1948 (Shōwa 23)Onchi KōshirōWoodblock and paperblock print; ink and color on paperhttp://collections.mfa.org/objects/260808/rdfhttp://collections.mfa.org/internal/media/dispatcher/1009254/resize%3Aformat%3DfullA Pumpkin (BY)2004 (Heisei 16)Yayoi KusamaSilkscreenOne of two silkscreens, each titled and dated in pencil in Roman print, each signed in pencil in Roman script Yayoi Kusama, each numbered 94/120Reproduced with permission.http://collections.mfa.org/objects/492105/rdfhttp://collections.mfa.org/internal/media/dispatcher/1600027/resize%3Aformat%3DfullPuns Just Like This: The Fifty-three Cats of the Ailurophile (Sono mama jiguchi: Myōkaikō gojūsan biki)1847–52 (Kōka 4–Kaei 5)Utagawa KuniyoshiWoodblock print (nishiki-e); ink and color on paperhttp://collections.mfa.org/objects/677503/rdfhttp://collections.mfa.org/internal/media/dispatcher/923812/resize%3Aformat%3DfullUnder the Wave off Kanagawa (Kanagawa-oki nami-ura), also known as the Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)about 1830–31 (Tenpō 1–2)Katsushika HokusaiWoodblock print (nishiki-e); ink and color on paperMFA impressions: 06.1153, 06.1283, 06.2548, 11.1f7652, 21.6764, 21.6765, 34.317http://collections.mfa.org/objects/234428/rdfhttp://collections.mfa.org/internal/media/dispatcher/947319/resize%3Aformat%3DfullA Young Man Dallying with a Courtesan, from an untitled series of twelve erotic printsabout 1680 (Enpō 8)Hishikawa MoronobuWoodblock print (sumizuri-e); ink on paperhttp://collections.mfa.org/objects/233491/rdfhttp://collections.mfa.org/internal/media/dispatcher/1028199/resize%3Aformat%3DfullZōjō-ji Temple in Shiba (Shiba Zōjō-ji), from the series Twenty Views of Tokyo (Tōkyō nijūkei)1925 (Taishō 14)Kawase HasuiWoodblock print; ink and color on paperMFA impressions: 35.1890, 49.124http://collections.mfa.org/objects/247798/rdf