http://collections.mfa.org/collections/315274/objects/rdfMFA Images: Valentine's Dayhttp://collections.mfa.org/internal/media/dispatcher/774919/resize%3Aformat%3Dfullhttp://collections.mfa.org/internal/media/dispatcher/846101/resize%3Aformat%3DfullAce of Hearts from the series Her Youth (Kanojo no seishun)Kobayashi KaichiColor woodblock; ink and metallic pigment on card stockhttp://collections.mfa.org/objects/408174/rdfhttp://collections.mfa.org/internal/media/dispatcher/1401814/resize%3Aformat%3DfullCouple Conversing on the Paseo (page 36, verso of double-sided drawing from the Madrid Sketchbook (Journal-Album B)1794–97Francisco Goya y LucientesBrush and gray wash, touched with iron gall ink faded to brown on discolored blued [smalt] white laid paperVerso of double sided drawing from Album B. (Recto: Page 35 from Journal Album B; later used for Capricho plate 10 ). .http://collections.mfa.org/objects/313773/rdfhttp://collections.mfa.org/internal/media/dispatcher/774919/resize%3Aformat%3DfullCupid and Psycheabout 1870Adolphe BraunPhotograph, carbon printhttp://collections.mfa.org/objects/265306/rdfhttp://collections.mfa.org/internal/media/dispatcher/786258/resize%3Aformat%3DfullCupid, seatedlate 16th centuryNiccolo Martinelli, called Il TromettaPen and brown ink and brown wash over red chalk, heightened with white, on blue-gray paperhttp://collections.mfa.org/objects/185856/rdfhttp://collections.mfa.org/internal/media/dispatcher/761263/resize%3Aformat%3DfullDutch Hearts1970Jim DineLithograph in color with collagePrinted by Piet Clement, Amsterdam. Published by Petersburg Press, London.© Jim Dinehttp://collections.mfa.org/objects/332932/rdfhttp://collections.mfa.org/internal/media/dispatcher/753803/resize%3Aformat%3DfullHeart locket19th centuryGilt metal, human hair braided under glassA small heart shaped gold locket with braided hair under glass inside locket, entire surface of locket covered with minute relief rosettes, on one face of locket a small relief rose in green gold; gold has a coppery tinge.http://collections.mfa.org/objects/114953/rdfhttp://collections.mfa.org/internal/media/dispatcher/844770/resize%3Aformat%3DfullHeart Shaped Bon Bon BoxGlass, paperA=Bottom, B=Top. Paper heart- shaped bon bon box, with cracked semi-opaque glass top. Encased decoration depicts tropical landscape with a heart on the altar of love. Green with red applique edges. Gold paper lining in interior.http://collections.mfa.org/objects/119959/rdfhttp://collections.mfa.org/internal/media/dispatcher/1020963/resize%3Aformat%3DfullKeshava Das's "Rasikapriya": The Nayaka and the Dutikaabout 1615Opaque watercolor and gold on paperhttp://collections.mfa.org/objects/148555/rdfhttp://collections.mfa.org/internal/media/dispatcher/783316/resize%3Aformat%3Dfull"Le Baiser du Porion" (Two lovers)Armand Louis RassenfosseIntaglio (color printing)L'Amour en Pays Noir". Plate: 7 1/2 x 5 in. Sheet: 13 3/8 x 9 7/8 in. With hand-coloring.http://collections.mfa.org/objects/102231/rdfhttp://collections.mfa.org/internal/media/dispatcher/1819119/resize%3Aformat%3DfullThe Loversabout 1528Parmigianino (Girolamo Francesco Maria Mazzola)Etching, engraving, and drypointhttp://collections.mfa.org/objects/4866/rdfhttp://collections.mfa.org/internal/media/dispatcher/605072/resize%3Aformat%3DfullLovers1908Abraham WalkowitzMonotype, printed in brownCourtesy Zabriskie Gallery, New Yorkhttp://collections.mfa.org/objects/156906/rdfhttp://collections.mfa.org/internal/media/dispatcher/1030849/resize%3Aformat%3DfullLovers (mithuna)13th centuryIvoryhttp://collections.mfa.org/objects/23009/rdfhttp://collections.mfa.org/internal/media/dispatcher/947283/resize%3Aformat%3DfullLovers under an Umbrella in the Snoworiginal design about 1766–67 (Meiwa 3–4); later copy?Suzuki HarunobuWoodblock print (nishiki-e); ink and color on paperMFA impressions: 21.4403 (Meiji reproduction?), 21.4530 (first state?)http://collections.mfa.org/objects/232080/rdfhttp://collections.mfa.org/internal/media/dispatcher/1818854/resize%3Aformat%3DfullSleeping Cupidabout 1524 – 1527Parmigianino (Girolamo Francesco Maria Mazzola)Etching and engravingNot only is [Sleeping Cupid] very conservative and engraving-like in handling, but it is also based directly, almost line for line, on the figure of a dead infant in Marcantonio Raimondi's engraving The Massacre of the Innocents. Based on a Raphael design, Marcantonio's print is a particularly crisp example of classic, traditional burin work.http://collections.mfa.org/objects/36504/rdfhttp://collections.mfa.org/internal/media/dispatcher/1150910/resize%3Aformat%3DfullTwo Hearts in the Forest1981Jim DineWoodcut from one plywood block, over lithograph from three zinc platesPrinted once in yellow and green, once in orange, once in pink and once in black© Jim Dinehttp://collections.mfa.org/objects/205513/rdfhttp://collections.mfa.org/internal/media/dispatcher/679097/resize%3Aformat%3DfullVenus and Cupid (I)about 1845–50Narcisse Virgile Diaz de la PeñaOil on canvashttp://collections.mfa.org/objects/32036/rdfhttp://collections.mfa.org/internal/media/dispatcher/889119/resize%3Aformat%3DfullWhen Hearts are Trumps1894William H. BradleyPoster, color lithographhttp://collections.mfa.org/objects/443631/rdfhttp://collections.mfa.org/internal/media/dispatcher/852338/resize%3Aformat%3DfullWoman in a Heart Motif from Katei no shioriArtist unknown, JapaneseColor lithograph; ink on card stockhttp://collections.mfa.org/objects/414704/rdfhttp://collections.mfa.org/internal/media/dispatcher/950499/resize%3Aformat%3DfullYoung Man Handing Letter to Woman in BathrobeChōkyōsai EiriWoodblock print (nishiki-e); ink and color on paperUnidentified publisher's mark.http://collections.mfa.org/objects/232465/rdf