http://collections.mfa.org/collections/315239/objects/rdfMFA Images: Menhttp://collections.mfa.org/internal/media/dispatcher/961514/resize%3Aformat%3Dfullhttp://collections.mfa.org/internal/media/dispatcher/940604/resize%3Aformat%3DfullActor Arashi Ryûzô II (?)Utagawa Toyokuni IWoodblock print (nishiki-e); ink and color on paperhttp://collections.mfa.org/objects/234610/rdfhttp://collections.mfa.org/internal/media/dispatcher/857954/resize%3Aformat%3DfullAinu Man with a GunArtist unknown, JapaneseCollotype; ink on card stockhttp://collections.mfa.org/objects/419601/rdfhttp://collections.mfa.org/internal/media/dispatcher/795738/resize%3Aformat%3DfullAlexander Moseley1880sFrederic Porter VintonOil on canvashttp://collections.mfa.org/objects/31113/rdfhttp://collections.mfa.org/internal/media/dispatcher/828496/resize%3Aformat%3DfullAndalusian Smuggler (Cloaked Man) with Bull1824–28, printed 1954Francisco Goya y LucientesEtching and drypointPosthumous impression, post Lumley, (H. 34, IV, 1-2). Printed by Ture Bengtz, Boston, 1954.Printed from copper plate in the MFA (1970.610)With the address of Jueryhttp://collections.mfa.org/objects/353205/rdfhttp://collections.mfa.org/internal/media/dispatcher/780045/resize%3Aformat%3DfullBearded Man in Tall Hat and Long CoatNovember 19, 1851John Mackie FalconerWatercolor over graphite on paperBeared man in tall hat and long coat, seated on a stool facing left.http://collections.mfa.org/objects/4842/rdfhttp://collections.mfa.org/internal/media/dispatcher/686886/resize%3Aformat%3DfullThe Bone Player1856William Sidney MountOil on canvashttp://collections.mfa.org/objects/33207/rdfhttp://collections.mfa.org/internal/media/dispatcher/600975/resize%3Aformat%3DfullDrinking cup (kylix) depicting a man holding a basket, a pot and a staffabout 485–480 B.C.OnesimosCeramic, Red FigureInterior: A bearded, wreathed man with short, curly hair and a receding forehead and a snub nose, leans over with left knee bent, and carries in his right hand a large cauldron inscribed in Greek "the boy" (HO PAIS) and in his right hand he holds a basket and staff. In field inscribed "the boy is handsome" (HOPAIS KALOS).Exterior side A: Horse standing beside a tree, a hat of skin hangs on a branch. On either side of the horse ia a youth, one nude, the other wrapped in a himation. The nude boy is holding the horse's reigns.Exterior side B: Two horses face to face. A youth between them. Condition: Side B is much damaged. Considerably restored.http://collections.mfa.org/objects/153675/rdfhttp://collections.mfa.org/internal/media/dispatcher/675345/resize%3Aformat%3DfullDudley WilliamsSir Hubert von HerkomerOil on canvashttp://collections.mfa.org/objects/31386/rdfhttp://collections.mfa.org/internal/media/dispatcher/901812/resize%3Aformat%3DfullElderly Man in Profile, Looking Down1850–60Southworth and HawesPhotograph, daguerreotypehttp://collections.mfa.org/objects/265408/rdfhttp://collections.mfa.org/internal/media/dispatcher/832636/resize%3Aformat%3DfullFigure of a man with fruit (Autumn)about 1765-1770Bow ManufactorySoft-paste porcelainFigure of a man with fruit, sometimes called the gardener's companion. Leaning against tree trunk on which are applied flowers. Wearing yellow lined pink flowered frock coat, figured vest & knee breeches. Holds in right hand blue apron filled with fruits & leaves, in left hand black tricorne hat. Mate to 03.330.http://collections.mfa.org/objects/57036/rdfhttp://collections.mfa.org/internal/media/dispatcher/834425/resize%3Aformat%3DfullFigurine of a man leaning against a pillarTerracottaStatuette of a fully draped man; he leans against a pillar. Uncolored.http://collections.mfa.org/objects/151761/rdfhttp://collections.mfa.org/internal/media/dispatcher/819374/resize%3Aformat%3DfullFigurine of a person, probably female, playing a tambourine600–475 B.C.TerracottaThis figurine shows an individual playing a tambourine. The piece is solid, and its cylindrical body stands upright on its flaring foot. Both arms extend forwards in front of its chest to hold a small, thin disc, likely a tambourine. Its head is tilted back slightly. Its nose and ears are prominent, made by adding pellets of clay to the simple cylindrical form. It has a high headband, and its hair or headdress falls to its shoulders. Traces of red paint are visible on its foot, arms, ears, and face.http://collections.mfa.org/objects/151901/rdfhttp://collections.mfa.org/internal/media/dispatcher/765647/resize%3Aformat%3DfullThe Fourth Oriental Head1635Rembrandt Harmensz. van RijnEtchinghttp://collections.mfa.org/objects/107520/rdfhttp://collections.mfa.org/internal/media/dispatcher/1013482/resize%3Aformat%3DfullFray Hortensio Félix Paravicino1609El Greco (Domenikos Theotokopoulos)Oil on canvashttp://collections.mfa.org/objects/31236/rdfhttp://collections.mfa.org/internal/media/dispatcher/830848/resize%3Aformat%3DfullA Gentleman in a Fur-Trimmed Cloak1624Jacques CallotEtchinghttp://collections.mfa.org/objects/166886/rdfhttp://collections.mfa.org/internal/media/dispatcher/1337174/resize%3Aformat%3DfullHamletabout 1864William Morris HuntOil on canvashttp://collections.mfa.org/objects/31488/rdfhttp://collections.mfa.org/internal/media/dispatcher/785537/resize%3Aformat%3DfullHead of a bearded manabout A.D. 150–192; first recut about A.D. 210–267; second recut about A.D. 400Marble from Mt. Pentelikon, near AthensScientific Analysis:University of South Florida Lab No. 8445: Isotope ratios - delta13C +2.3 / delta18O -7.3 Attribution - Mt. Pentelikon near Athens. Justification - C and O isotopes, fine grain, pure white, said to be from AthensPortrait head of a man. His hairstyle is rendered with short, harsh strokes of the chisel and conforms to the shape of his skull. He has a prominent widow’s peak and the hairline rises over the flesh of the forehead. The ears are sunken into the sides of the head. The almond-shaped eyes are large and flat, with plastically rendered irises and pupils. They are set beneath arched eyebrows that have been carved by short chisel strokes and his brows are heavily furrowed. The eyes, which are narrow and almond-shaped with thick lids, are set deep within their sockets and have heavy bags beneath them. The flesh of the face is highly polished. What remains of the nose is broad and short. The mouth is small with a thin lower lip. In contrast to the hair, the beard is long and wavy. Over the cheeks, individual locks have been carved out with the drill. Beneath the chin, however, the beard was carved primarily with the chisel resulting in a heavy, mass-like quality. The moustache is composed of long strands of hair that lay flat and obscure the upper lip. The technical execution of the beard, hairstyle, and eyes are at variance with each other, indicating that they likely belong to three distinct periods of carving. The nose and right eye have been damaged. The hair and beard exhibit some abrasions and traces of a cement deposit. A substantial section of the back of the neck has been chipped away up to the hairline at the nape of the neck. This removal occurred in antiquity and is likely part of a secondary display context.http://collections.mfa.org/objects/151375/rdfhttp://collections.mfa.org/internal/media/dispatcher/1228267/resize%3Aformat%3DfullHead of an Arab1891John Singer SargentOil on canvashttp://collections.mfa.org/objects/32583/rdfhttp://collections.mfa.org/internal/media/dispatcher/783334/resize%3Aformat%3DfullHead of Bearded Man in Profile1818(Friedrich) Wilhelm ReuterCrayon lithograph on paper washed with yellow watercolorhttp://collections.mfa.org/objects/850/rdfhttp://collections.mfa.org/internal/media/dispatcher/786220/resize%3Aformat%3DfullHead on an Old Manmid to late 16th centuryBaccio BandinelliPen and brown ink heightened with white, on buff paperhttp://collections.mfa.org/objects/229696/rdfhttp://collections.mfa.org/internal/media/dispatcher/675169/resize%3Aformat%3DfullJohn La Farge1891Robert Wilton LockwoodOil on canvashttp://collections.mfa.org/objects/31345/rdfhttp://collections.mfa.org/internal/media/dispatcher/904775/resize%3Aformat%3DfullJosiah Johnson Hawesabout 1890Southworth and HawesPhotograph, daguerreotypehttp://collections.mfa.org/objects/160058/rdfhttp://collections.mfa.org/internal/media/dispatcher/909155/resize%3Aformat%3DfullJosiah Johnson Hawes, Self-Portrait as an Old Manabout 1895Josiah Johnson HawesPhotograph, albumen print mounted on boardhttp://collections.mfa.org/objects/441822/rdfhttp://collections.mfa.org/internal/media/dispatcher/787241/resize%3Aformat%3DfullMale effigy cache figureA.D. 1100–1550Gold and copper alloyStanding male figure holding a spear thrower. His open-work headdress includes three rings for attaching adornments (now lost), and he wears spiral ear flares and a multiple-strand necklace.http://collections.mfa.org/objects/5632/rdfhttp://collections.mfa.org/internal/media/dispatcher/1016793/resize%3Aformat%3DfullMarquis de Pastoret1829Hippolyte DelarocheOil on canvashttp://collections.mfa.org/objects/31403/rdfhttp://collections.mfa.org/internal/media/dispatcher/1112473/resize%3Aformat%3DfullThe Master Smith of Lyme Regis1895James Abbott McNeill WhistlerOil on canvashttp://collections.mfa.org/objects/31086/rdfhttp://collections.mfa.org/internal/media/dispatcher/845013/resize%3Aformat%3DfullNew Techniques for a Beautiful Moustache (Shin'an bihatsu jutsu) from Ehagaki sekai1908Artist unknown, JapaneseColor lithograph; ink on card stockhttp://collections.mfa.org/objects/403683/rdfhttp://collections.mfa.org/internal/media/dispatcher/845317/resize%3Aformat%3DfullNouveau Riche Gentleman's Outing on New Year's Day (Nenga no odekake)Iizawa Ten'yōColor collotype; ink on card stockhttp://collections.mfa.org/objects/403989/rdfhttp://collections.mfa.org/internal/media/dispatcher/1175332/resize%3Aformat%3DfullOld Man in PrayerRembrandt Harmensz. van RijnOil on panelhttp://collections.mfa.org/objects/31232/rdfhttp://collections.mfa.org/internal/media/dispatcher/1032850/resize%3Aformat%3DfullOld Man Seated on a Trunk1826Jean-Baptiste-Camille CorotOil on paper, mounted on boardhttp://collections.mfa.org/objects/31753/rdfhttp://collections.mfa.org/internal/media/dispatcher/673601/resize%3Aformat%3DfullOrestes A. Brownson1863George Peter Alexander HealyOil on canvashttp://collections.mfa.org/objects/31066/rdfhttp://collections.mfa.org/internal/media/dispatcher/1017856/resize%3Aformat%3DfullPhilip IV, King of Spain1624Diego Rodríguez de Silva y VelázquezOil on canvasClosely resembles and is possibly after a painting in the Metropolitan Museum of Art, New York (no. 14.40.639)http://collections.mfa.org/objects/31240/rdfhttp://collections.mfa.org/internal/media/dispatcher/973583/resize%3Aformat%3DfullPicture of a Man from America (Amerikawa kuni jinbutsu no zu)1854–60 (Ansei era)Isshusai KunikazuWoodblock print (nishiki-e); ink and color on paperhttp://collections.mfa.org/objects/255825/rdfhttp://collections.mfa.org/internal/media/dispatcher/785539/resize%3Aformat%3DfullPortrait head of a man with curly hairA.D. 69–79Marble, Dolomitic from the Greek island of ThasosThis portrait head is probably from a statue. Despite the damages, a lively sense of the sitter's pleasant yet shrewd personality comes through to us, the broad forehead with its wrinkles and curly hair, and the little chin set amid folds of flesh. The face and surrounding hair have caught the new Flavian restlessness in sculptural style; the back half of the head still manifests the flat, tightly curled hair of a Julio-Claudian court portrait. This portrait, then, is a creation of the decade when the Flavian styles of sculptural richness were being formed and first exploited.Nose, chin, and a piece at the side of the neck have been broken away or damaged. The ears have suffered in a similar fashion. The surfaces are worn and weathered, perhaps both in antiquity and in a recent setting. There are remains of a black deposit in the hair and pitting on the face.Scientific Analysis: Marble has been scientifically tested with X-Ray Diffraction and determined to be Dolomitic. Harvard Lab No. HI111: Isotope ratios - delta13C +3.58 / delta18O -3.09, Attribution - Thasos-Cape Vathy, Justification - Dolomitic by XRD.http://collections.mfa.org/objects/151339/rdfhttp://collections.mfa.org/internal/media/dispatcher/1084727/resize%3Aformat%3DfullPortrait of a Man and a Boy (Count Alborghetti & Son)about 1545–50Giovanni Battista MoroniOil on canvashttp://collections.mfa.org/objects/31067/rdfhttp://collections.mfa.org/internal/media/dispatcher/961514/resize%3Aformat%3DfullPortrait of a Man Holding a Bookabout 1540Titian (Tiziano Vecellio)Oil on canvashttp://collections.mfa.org/objects/32870/rdfhttp://collections.mfa.org/internal/media/dispatcher/680836/resize%3Aformat%3DfullPortrait of a Man in a Blue Coatabout 1790Sir Thomas LawrenceOil on canvashttp://collections.mfa.org/objects/32342/rdfhttp://collections.mfa.org/internal/media/dispatcher/1030851/resize%3Aformat%3DfullPortrait of a Man in a Brown CoatFrancisco Goya y LucientesOil on canvashttp://collections.mfa.org/objects/31363/rdfhttp://collections.mfa.org/internal/media/dispatcher/1104916/resize%3Aformat%3DfullPortrait of a Man in his Studyabout 1785Marguerite GérardOil on panelhttp://collections.mfa.org/objects/33934/rdfhttp://collections.mfa.org/internal/media/dispatcher/888182/resize%3Aformat%3DfullPortrait of a Man Playing a Lute1576Bartolomeo PassarottiOil on canvashttp://collections.mfa.org/objects/33151/rdfhttp://collections.mfa.org/internal/media/dispatcher/971642/resize%3Aformat%3DfullPortrait of a Man Standing Beside a Table1745Arthur DevisOil on canvashttp://collections.mfa.org/objects/33508/rdfhttp://collections.mfa.org/internal/media/dispatcher/1583387/resize%3Aformat%3DfullPortrait of a Man Wearing a Black Hat1634Rembrandt Harmensz. van RijnOil on panelhttp://collections.mfa.org/objects/31041/rdfhttp://collections.mfa.org/internal/media/dispatcher/897988/resize%3Aformat%3DfullPortrait of a Man Wearing a Fedora1941Jose Ignacio AguirreInk wash on paperhttp://collections.mfa.org/objects/437223/rdfhttp://collections.mfa.org/internal/media/dispatcher/765760/resize%3Aformat%3DfullPortrait of a Man wearing a skull capNicholas LagneauBlack and red chalk on antique cream laid paperCrayon Drawing red and black chalk.http://collections.mfa.org/objects/244686/rdfhttp://collections.mfa.org/internal/media/dispatcher/694552/resize%3Aformat%3DfullPortrait of a Man with Boston "Atlas"1845Unidentified artist, American, mid-19th centuryOil on canvashttp://collections.mfa.org/objects/34624/rdfhttp://collections.mfa.org/internal/media/dispatcher/799060/resize%3Aformat%3DfullPortrait of an Old Man with long beardNicholas LagneauBlack, red, and white chalk on cream antique laid paperhttp://collections.mfa.org/objects/238146/rdfhttp://collections.mfa.org/internal/media/dispatcher/952363/resize%3Aformat%3DfullPortrait of Mirza Muhammad Hakim1584–1590Aqa RizaInk, color and gold on paperhttp://collections.mfa.org/objects/148508/rdfhttp://collections.mfa.org/internal/media/dispatcher/1581152/resize%3Aformat%3DfullRené Maizeroyabout 1882Edouard ManetPastel on canvashttp://collections.mfa.org/objects/32624/rdfhttp://collections.mfa.org/internal/media/dispatcher/1012022/resize%3Aformat%3DfullSaint DemetriusScarsellino (Ippolito Scarsella)Oil on canvashttp://collections.mfa.org/objects/35688/rdfhttp://collections.mfa.org/internal/media/dispatcher/828770/resize%3Aformat%3DfullSeated Man with a Gun and a Knife (noose hanging from tree above)late 18th centuryUnidentified artist, French, 18th centuryInk and wash on paperFailed suicide (comment on philosophy)http://collections.mfa.org/objects/357250/rdfhttp://collections.mfa.org/internal/media/dispatcher/908743/resize%3Aformat%3DfullSeated Man with Dimple in Chin1845–61Southworth and HawesPhotograph, daguerreotypehttp://collections.mfa.org/objects/160155/rdfhttp://collections.mfa.org/internal/media/dispatcher/774980/resize%3Aformat%3DfullSelf-Portrait1880–85James Wells ChampneyTransparent and opaque watercolor on paperHead, three-quarters to right, moustache and short beard; dark background.http://collections.mfa.org/objects/5053/rdfhttp://collections.mfa.org/internal/media/dispatcher/933448/resize%3Aformat%3DfullSelf Portrait1866William Morris HuntOil on canvashttp://collections.mfa.org/objects/31088/rdfhttp://collections.mfa.org/internal/media/dispatcher/987087/resize%3Aformat%3DfullSelf Portraitabout 1903Edward HopperOil on canvashttp://collections.mfa.org/objects/34231/rdfhttp://collections.mfa.org/internal/media/dispatcher/884852/resize%3Aformat%3DfullStanding figure of man from a model2061–1640 B.C.WoodThis figure from a wooden model depicts a striding man with left leg advanced. He wears a short, black wig and a long, white kilt. The skin is painted a reddish-brown. The eyes are detailed in black and white. The arms are carved as separate components and attached to the shoulders with dowels. The left side of the head is broken off.http://collections.mfa.org/objects/141259/rdfhttp://collections.mfa.org/internal/media/dispatcher/799031/resize%3Aformat%3DfullStudy of Man in Turban and LoinclothGustave Clarence Rodolphe BoulangerCrayon on paperhttp://collections.mfa.org/objects/255889/rdfhttp://collections.mfa.org/internal/media/dispatcher/1212705/resize%3Aformat%3DfullTurkish Sentinel1877Charles BargueOil on panelhttp://collections.mfa.org/objects/31210/rdfhttp://collections.mfa.org/internal/media/dispatcher/673778/resize%3Aformat%3DfullWilliam Ellery Channing1811Washington AllstonOil on canvashttp://collections.mfa.org/objects/31089/rdfhttp://collections.mfa.org/internal/media/dispatcher/757376/resize%3Aformat%3DfullWilliam J. Stillman1870Dante Gabriel RossettiPastel on two sheets of paper joined and mounted on cardboardhttp://collections.mfa.org/objects/32290/rdfhttp://collections.mfa.org/internal/media/dispatcher/1132798/resize%3Aformat%3DfullWilliam Lock of Norbury (1732–1810)1790Sir Thomas LawrenceOil on canvashttp://collections.mfa.org/objects/31144/rdfhttp://collections.mfa.org/internal/media/dispatcher/765664/resize%3Aformat%3DfullYoung Man in a Velvet Cap1637Rembrandt Harmensz. van RijnEtchinghttp://collections.mfa.org/objects/257557/rdfhttp://collections.mfa.org/internal/media/dispatcher/1132767/resize%3Aformat%3DfullYoung Man in Oriental CostumeFerdinand BolOil on canvashttp://collections.mfa.org/objects/31680/rdfhttp://collections.mfa.org/internal/media/dispatcher/780046/resize%3Aformat%3DfullYoung Man in White Apronabout 1851John Mackie FalconerWatercolor over graphite on paperSeated, full front, his right foot resting on a box, a red cloth in his left hand.http://collections.mfa.org/objects/4844/rdfhttp://collections.mfa.org/internal/media/dispatcher/1047131/resize%3Aformat%3DfullYoung Man Standing in Blue Gownlate 17th centuryMuhammad YusufPaper; painting on paperhttp://collections.mfa.org/objects/13917/rdfhttp://collections.mfa.org/internal/media/dispatcher/909181/resize%3Aformat%3DfullYoung Man with Beard1845–61Southworth and HawesPhotograph, daguerreotypehttp://collections.mfa.org/objects/160121/rdf