http://collections.mfa.org/collections/objectsrdf/315291;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06Archival Replicas: Dining Roomhttp://collections.mfa.org/internal/media/dispatcher/895842/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/920631/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06Black Duck1940–41Marsden HartleyOil on Masonitehttp://collections.mfa.org/objects/detailsrdf/32866;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/1192926/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06Butterfliesabout 1914Edna Boies HopkinsColor woodcuthttp://collections.mfa.org/objects/detailsrdf/92247;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/1008925/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06Collection of the Chat Noir1898Théophile-Alexandre SteinlenPoster, color lithograph printed in black and redPoster advertising the sale of the contents of the Chat Noir cabarethttp://collections.mfa.org/objects/detailsrdf/348741;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/1000107/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06Divan Japonais1893Henri de Toulouse-LautrecPoster, color lithographPoster for the cabaret Divan Japonais, published version. Text (verbatim transcription of lettering): "Divan Japonais / 75 rue des Martyrs / Ed Fournier / Directeur" (lettering by the artist).http://collections.mfa.org/objects/detailsrdf/5104;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/798066/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06Doylestown House - The Stove1916–17Charles SheelerPhotograph, gelatin silver printhttp://collections.mfa.org/objects/detailsrdf/340846;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/1011868/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06Ferme du Parc de Courances1860sEugène CuvelierPhotograph, salt print from paper negative, gold tonedhttp://collections.mfa.org/objects/detailsrdf/500018;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/895842/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06"La Cote d'Azur ou Une fête sur la terrasse," plate 6 from Gazette du Bon Ton, Volume 2, No. 8–9Summer 1915Louis StrimplLithograph with hand-applied color (pochoir)41. Robe de broché argenté. Redingote en tulle d'argent. Costume de Jenny. Souliers de Généra.42. Redingote de broché blanc posée sur un fourreau de dentelle fine sur fond de satin blanc. Costume de Callot.43. Crêpe satin et tulle noir brodés de perles de jais. Deux étages de fils de jais. Costume de Dœuillet.44. Satin rose nacré dit "Libellule." La jupe est comme repliée sur elle-même et pincée de place en place par des points de jais.45. Robe de gros de Londres garnie de volants froncés. Costume de Beer. Souilers de Greco.46. Sur un fourreau de satin rose, est posée une tunique en tulle brodé de perles vertes et blanches, un long voile de tulle pert forme paniers reliéssur le devant. Costume de Callot.47. Robe de mousseline de soie rose, tunique en tulle brodé d'or, écharpe de broché or et roses roses sur fond noir. Costume de Chéruit.48. Robe de tulle bleu marine sur crêpe satin bleu avec volant plisée remontant sur les côtés, ceinture de pierreries. Costume de Dœuillet.49. Jupe ample en tulle blanc, rayé de bandes de perles d cristal en tubes; ceinture de velours blanc bordée de zibeline. Costume et coiffure de Lanvin. Bottes de Carbini.50. Louis XV de taffetas rose "rose," un galon or el argent borde les basques et le bas de la jupe glands d'or. Costume de Jenny. Souliers de Généra.51. Robe de faille rose de trois tons différents, ceinture en satin "framboise." Costume de Paquin.52. Fourreau de liberty bleu rebrode de soie et d'or, traîne en pointe doublée de rose de Chine. Jupe de tulle uni recouverant le tout. Costume de Doucet.53. Robe de tulle rose et recouverte en partie de tulle bleu paon, brodée de fleurs d'argent et de paillettes bleues. Costume de Paquin.54. Robe de satin blanc avec tunique de mousseline, ceinture brodée de perles. Costume de Premet. Coiffure de Maria Guy.55. Satin noir gras, broche à même le tissu de dessins japonais magnifiques copiés sur des broderies anciennes. Les devants s'ouvrent sur une jupe faite d'effilés d'ifs de perles fines. Corselet de perles et de strass. Costume et coiffure de Worth. Souliers de Helstern.56. Tulle rose brodé d'or avec traîne en brocart d'or sur rose. Deux galons d'argent surmontés d'un galon de strass croisent sur la taille. Manteau en broché lophophore sur fond noir, bordure de zibeline.57. Peau de soie brodée et brochée rose très pâle, volants de dentelle fine à mi-jupe seulement et corsage à Berthe de même dentelle. Costume de Martial et Armand. Souliers de Ducerf.58. Deux volants d'application blanche sont disposés sur une jupe de satin perlée de strass. Sote de boléro de jais. Costume de Martial et Armand. Souliers de Ducerf.59. Robe de satin blanc pailletée avec seconde jupe de tulle bleu pailleté également et bordé d'hermine. La manche est remplacée par des ailes de tulle bleu. Costume de Premet. Chapeau de Maria Guy.60. Dentelle d'or sur mousseline de soie avec double effet d'ailes dégradées orange et bleu. Bretelle de velours bleu et riche broderie sur toute la robe. Costume de Callot.http://collections.mfa.org/objects/detailsrdf/444790;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/758799/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06Le Nouvel Opéra de Paris: Bronzes1879Louis-Emile DurandellePhotograph, albumen printhttp://collections.mfa.org/objects/detailsrdf/271429;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/933468/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06Plants and their Application to Ornament1897Eugène Samuel GrassetIllustrated book with 72 color lithographs(London: Chapman & Hall, Ltd. [1897]) Large folio; 74 leaves; modern half gilt-stamped dark brown calf, decorated fabric boards (J. MacDonald Co., Norwalk, Conn.).Illustrations of various plants, followed by related decorative applications of plant forms. English edition of "La plante et ses applications ornementales," issued in Paris by the Librairie Centrale des Beaux-Arts, E. Lévy, presumably simultaneously. That edition does not carry a publication date, but is assumed to be 1896/1897. A few plates are dated 1895. The introduction in both editions, signed by Grasset, is dated May 1896. The plates are usually cited as lithographed by a group of Grasset's students after his own watercolors (see Turn of the Century, cat. 49), the largest number by Verneuil. However, none of the plates are even initialled by Grasset, and he is cited only as "Editor" on the title. Both editions comprise two volumes, with 72 plates each. The MFA copy is of vol. 1 only; the only citation found is a copy in the British Library. The title indicates it was issued "in twelve monthly parts."http://collections.mfa.org/objects/detailsrdf/459446;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/871975/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06Roses in a Glass Vase1890Henri Fantin-LatourOil on canvashttp://collections.mfa.org/objects/detailsrdf/34853;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/737652/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06San Juan Jazz Workshop1964Lorenzo HomarColor silkscreenReproduced with permission.http://collections.mfa.org/objects/detailsrdf/128434;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/1174693/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06Still Lifeabout 1910–13Maurice Brazil PrendergastOil on canvashttp://collections.mfa.org/objects/detailsrdf/34070;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/976200/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06The Teaabout 1880Mary Stevenson CassattOil on canvashttp://collections.mfa.org/objects/detailsrdf/32829;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/677316/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06The Tea Partyabout 1824Henry SargentOil on canvashttp://collections.mfa.org/objects/detailsrdf/31744;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/774952/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06The Temple of Flora, or Garden of Nature, Being Picturesque Botanical Plates of the New Illustration of the Sexual System of Linnaeus1799–1807Richard EarlomIllustrated book with 31 etchings, engravings, and aquatints, partially color-printed and hand-colored; and 6 calligraphic engravings(London: For the Publisher [i.e., the author], 1799[-1807]) Large folio; 7 engraved preliminary leaves, 79 letterpress leaves, plus 31 mixed etching and engravings; contemporary gilt- and blind-stamped black morocco.Illustrations of exotic flowers in natural settings; allegorical illustrations of botanical themes; elaborate calligraphic titles, dedication, and contents leaveshttp://collections.mfa.org/objects/detailsrdf/270567;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/1036785/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06Textile samplelate 19th centurySilk plain-weave, hand drawn paste resist-dyed and painted (yûzen)Textile sample with design of maple branch red, orange, brown, gray and green on a dark brown ground, created by the yûzen technique.http://collections.mfa.org/objects/detailsrdf/7643;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/1044481/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06Three White Tulips1912Charles SheelerOil on panelhttp://collections.mfa.org/objects/detailsrdf/35112;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/835569/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06Tinseled Flowers1917Marsden HartleyTempera, silver foil and gold foil on glasshttp://collections.mfa.org/objects/detailsrdf/35083;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/773139/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06Tomatoes, Fruit, and Flowersabout 1860Unidentified artist, American, mid-19th centuryOil on canvashttp://collections.mfa.org/objects/detailsrdf/33134;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/1000100/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06Woman and Flowers1868Sir Lawrence Alma-TademaOil on panelhttp://collections.mfa.org/objects/detailsrdf/32766;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06http://collections.mfa.org/internal/media/dispatcher/985162/resize%3Aformat%3Dfull;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06The Yellow Roomabout 1910Frederick Carl FriesekeOil on canvashttp://collections.mfa.org/objects/detailsrdf/33272;jsessionid=7E9FDA3EFB7E162253DAC699681F9D06