http://collections.mfa.org/collections/314115/objects/rdfPrints and Drawingshttp://collections.mfa.org/internal/media/dispatcher/842632/resize%3Aformat%3Dfullhttp://collections.mfa.org/internal/media/dispatcher/1337233/resize%3Aformat%3Dfull0 through 91960Jasper JohnsLithographPrinted from one stone on Arches paper© VAGA, New York, NY© 1960 Jasper Johns and Universal Limited Art Editions, Inc.http://collections.mfa.org/objects/45810/rdfhttp://collections.mfa.org/internal/media/dispatcher/1491042/resize%3Aformat%3DfullThe Adirondack Guide1894Winslow HomerWatercolor over graphite on paperhttp://collections.mfa.org/objects/4997/rdfhttp://collections.mfa.org/internal/media/dispatcher/780345/resize%3Aformat%3DfullThe Alexandre Lethière Family1815Jean Auguste Dominique IngresGraphitehttp://collections.mfa.org/objects/5046/rdfhttp://collections.mfa.org/internal/media/dispatcher/1000101/resize%3Aformat%3DfullBreakthrough II1965Robert RauschenbergLithograph, printed from four stones in black and three shades of blue© VAGA, New York, NY© 1965 Robert Rauschenberg and Universal Limited Art Editions, Inc.http://collections.mfa.org/objects/4309/rdfhttp://collections.mfa.org/internal/media/dispatcher/1313028/resize%3Aformat%3DfullCapillary2009Sandra AllenGraphite pencil on white wove paperReproduced with permission.http://collections.mfa.org/objects/556413/rdfhttp://collections.mfa.org/internal/media/dispatcher/891829/resize%3Aformat%3DfullCorfu: Lights and Shadows1909John Singer SargentTranslucent and opaque watercolor, with wax resist, over graphitehttp://collections.mfa.org/objects/226725/rdfhttp://collections.mfa.org/internal/media/dispatcher/1638046/resize%3Aformat%3DfullCountess Shrivanskaya’s Crime1926Vladimir and Georgy StenbergPoster, color lithographhttp://collections.mfa.org/objects/667207/rdfhttp://collections.mfa.org/internal/media/dispatcher/1742085/resize%3Aformat%3DfullDr. Martin Luther King, Jr.1985John WilsonBlack and white pastel on cream Japanese paper© Estate of John Wilsonhttp://collections.mfa.org/objects/310957/rdfhttp://collections.mfa.org/internal/media/dispatcher/810361/resize%3Aformat%3DfullEvening (Melancholy)1896Edvard MunchColor woodcut printed from two blocks on thin Asian paper. The key block is printed in light blue with a darker color for the landscape on the horizon. The color block is cut into two sections and printed in light green and orange.http://collections.mfa.org/objects/4990/rdfhttp://collections.mfa.org/internal/media/dispatcher/991263/resize%3Aformat%3DfullFifth Stone (Black)1964Lee BontecouLithograph© Lee Bontecou/Courtesy Knoedler & Company, New Yorkhttp://collections.mfa.org/objects/447169/rdfhttp://collections.mfa.org/internal/media/dispatcher/775113/resize%3Aformat%3DfullHead of a Youthabout 1500Lorenzo di CrediSilverpoint, heightened with opaque white watercolor, on paper prepared with a gray groundhttp://collections.mfa.org/objects/155953/rdfhttp://collections.mfa.org/internal/media/dispatcher/774963/resize%3Aformat%3DfullIn the Omnibusabout 1891Mary Stevenson CassattSoft ground etching, drypoint and color aquatintTrial proof Fhttp://collections.mfa.org/objects/110147/rdfhttp://collections.mfa.org/internal/media/dispatcher/979260/resize%3Aformat%3DfullThe Judgment of Midas1590Hendrick GoltziusEngravinghttp://collections.mfa.org/objects/481515/rdfhttp://collections.mfa.org/internal/media/dispatcher/1599084/resize%3Aformat%3DfullKleine Welten VI1922Wassily KandinskyWoodcuthttp://collections.mfa.org/objects/334458/rdfhttp://collections.mfa.org/internal/media/dispatcher/780892/resize%3Aformat%3DfullLarge Female Nude, (6th and final state)March 1962Pablo PicassoReduction linocut printed in black over brown, reddish brown, and beigeTrial proof. Sixth state of six.© 2011 Estate of Pablo Picasso / Artists Rights Society (ARS), New York.http://collections.mfa.org/objects/337329/rdfhttp://collections.mfa.org/internal/media/dispatcher/774954/resize%3Aformat%3DfullThe Love Song (Le Chant d'Amour)1865Sir Edward Coley Burne-JonesTransparent and opaque watercolor on wove paperhttp://collections.mfa.org/objects/4460/rdfhttp://collections.mfa.org/internal/media/dispatcher/842274/resize%3Aformat%3DfullLow Tide (Two Boats)1920Blanche LazzellColor woodcutDrawing and woodblock are in the collectionhttp://collections.mfa.org/objects/333179/rdfhttp://collections.mfa.org/internal/media/dispatcher/783125/resize%3Aformat%3DfullMadame J.-F. Millet (Catherine Lemaire)about 1848–49Jean-François MilletBlack conté crayon, heightened with white, on blue-gray laid paperhttp://collections.mfa.org/objects/231673/rdfhttp://collections.mfa.org/internal/media/dispatcher/780374/resize%3Aformat%3DfullThe Mothers1921Käthe KollwitzBrush with black ink and opaque white watercolor on paper that has been cut and pasted onto a larger sheet in order to accommodate the artist's additions to the compositionPreparatory drawing for Plate 6 from the Seven Woodcuts on War (Klipstein 182)http://collections.mfa.org/objects/257729/rdfhttp://collections.mfa.org/internal/media/dispatcher/1627233/resize%3Aformat%3DfullNordlicht—5:59 pm2018Christiane BaumgartnerWoodcut on Kozo paperhttp://collections.mfa.org/objects/670933/rdfhttp://collections.mfa.org/internal/media/dispatcher/783326/resize%3Aformat%3DfullThe Old Ring Box1907Lilian Westcott HaleCharcoal and black chalkReproduced with permission.http://collections.mfa.org/objects/247957/rdfhttp://collections.mfa.org/internal/media/dispatcher/1188556/resize%3Aformat%3DfullPortrait of Marion Greenwood1950Max BeckmannCharcoal on blue paperhttp://collections.mfa.org/objects/261235/rdfhttp://collections.mfa.org/internal/media/dispatcher/1383815/resize%3Aformat%3DfullThe Queen of Stagsabout 1435–55Master of the Playing CardsEngravinghttp://collections.mfa.org/objects/155651/rdfhttp://collections.mfa.org/internal/media/dispatcher/885178/resize%3Aformat%3DfullReclining NudeMarch 30,1946Henri MatisseCharcoal on cream laid paper© 2011 Succession H. Matisse, Paris / Artists Rights Society (ARS), New York.http://collections.mfa.org/objects/440309/rdfhttp://collections.mfa.org/internal/media/dispatcher/1643113/resize%3Aformat%3DfullResurrection Story with Patrons2017Kara WalkerTriptych, etching with aquatint, sugar-lift, spit-bite and drypoint (left)Courtesy of Sikkema Jenkins & Co.http://collections.mfa.org/objects/657237/rdfhttp://collections.mfa.org/internal/media/dispatcher/1510059/resize%3Aformat%3DfullDe la Ruine des Nobles hommes et femmes (Of the ruin of noble men and women)1476Giovanni BoccaccioIllustrated book with nine hand-colored engravings(Bruges: Colard Mansion, 1476) Folio; 290 leaves; modern armorial gilt-stamped brown morocco binding (Orrock & Son, Edinburgh, 1871).Illustrations:1) Boccaccio presenting his book to Cavalcanti2) Boccaccio interviewing Adam and Eve3) King Saul and the Dead Man4) The Conflict between Fortune and Poverty5) Marcus Manlius Capitolinus thrown into the Tiber6) Death of Regulus7) Death of Caisu Marius Apinates8) Humiliation of the Emperor Valerian by the Persian King9) Execution of Queen Brunhildehttp://collections.mfa.org/objects/155954/rdfhttp://collections.mfa.org/internal/media/dispatcher/1827024/resize%3Aformat%3DfullSaint Jerome in His Study1514Albrecht DürerEngraving on cream laid paperhttp://collections.mfa.org/objects/240921/rdfhttp://collections.mfa.org/internal/media/dispatcher/632754/resize%3Aformat%3DfullSaint Séverin1909Robert Victor Félix DelaunayWatercolor over graphitehttp://collections.mfa.org/objects/264442/rdfhttp://collections.mfa.org/internal/media/dispatcher/970858/resize%3Aformat%3DfullSchiele's Wife with Her Little Nephew1915Egon SchieleCharcoal and opaque watercolor on white wove paperhttp://collections.mfa.org/objects/149819/rdfhttp://collections.mfa.org/internal/media/dispatcher/1341405/resize%3Aformat%3DfullSeated Giantby 1818Francisco Goya y LucientesAquatint with burnishing and scraping, roulette, and direct acid bite on laid paperWorking proof, first state before additional burnishing outside of right arm of giant, which reduces arm's width and lightens houses in foreground settlement (Harris 29, I, 1).http://collections.mfa.org/objects/168771/rdfhttp://collections.mfa.org/internal/media/dispatcher/1043341/resize%3Aformat%3DfullSharecropper1952, printed in 1970Elizabeth CatlettColor linocut with hand-applied watercolorPrinted by the artist and José Sánchez, Mexico City; Published by the artist and Taller de Gráfica Popular, Mexico City. First printed in 1952(?). Published in 1957 as Cosechadora de algodón in the journal Artes de México. An edition of 60 printed in color in 1970.http://collections.mfa.org/objects/513239/rdfhttp://collections.mfa.org/internal/media/dispatcher/783325/resize%3Aformat%3DfullSleeping Watchdog1637–40Rembrandt Harmensz. van RijnPen and brown ink with brush and brown wash, with touches of opaque white watercolor, on cream laid paperhttp://collections.mfa.org/objects/155960/rdfhttp://collections.mfa.org/internal/media/dispatcher/783307/resize%3Aformat%3DfullStanding Female Nude, Seen from Behind1785–90Pierre-Paul Prud'honCharcoal heightened with white chalk on blue laid paperhttp://collections.mfa.org/objects/170800/rdfhttp://collections.mfa.org/internal/media/dispatcher/1563194/resize%3Aformat%3DfullStudy for "Angels and Aeroplanes", Mystical Images of Warabout 1914Nataliya Sergeevna GoncharovaInk on paperA preparatory drawing for the lithograph of this title which is Plate 10 of the portfolio of 14 printshttp://collections.mfa.org/objects/658914/rdfhttp://collections.mfa.org/internal/media/dispatcher/933436/resize%3Aformat%3DfullTears (Les Pleurs)1878Odilon RedonCharcoal with opaque white watercolor on paperhttp://collections.mfa.org/objects/402683/rdfhttp://collections.mfa.org/internal/media/dispatcher/1132877/resize%3Aformat%3DfullThree Studies of a Woman and a Study of Her Hand Holding a Fanabout 1717Antoine WatteauRed, black, and white chalk on cream laid paperhttp://collections.mfa.org/objects/155950/rdfhttp://collections.mfa.org/internal/media/dispatcher/842632/resize%3Aformat%3DfullTree (The Kimono)1980Jim DineCharcoal, pastel and acrylic with scraping on seventeen joined sheets of yellow paper© Jim Dinehttp://collections.mfa.org/objects/264276/rdfUntitled2008Tara DonovanGlass drawing (broken glass inked and impressed on paper)Reproduced with permission.http://collections.mfa.org/objects/522394/rdfhttp://collections.mfa.org/internal/media/dispatcher/775145/resize%3Aformat%3DfullThe Violinistabout 1879Edgar DegasCharcoal with black and white pastel on blue paperhttp://collections.mfa.org/objects/155951/rdfhttp://collections.mfa.org/internal/media/dispatcher/895070/resize%3Aformat%3DfullYoung Girl in an Apron1883Vincent van GoghBlack crayon, iron-gall ink (with pen and brush), charcoal, graphite, opaque white watercolor and some highlights created by erasure on moderately thick strongly textured wove paperSee Notes for confirmation of media.http://collections.mfa.org/objects/45991/rdf